orchestra & large ensemble
Chamber Play (2024, 10 min.) for English horn, e-flat clarinet, bassoon, French horn, two percussionists, harp, piano, violin, viola, and cello
Ten remarks on a city (2022-23, 10 min.) for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; hp; pno - str)
In Between (2018, 8 min.) for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; hp; pno - str)
Passacaglia (2017, open duration) for jazz ensemble
I Must Be Sure (2016, 7 min.) for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; pno - str)
TBA (2025-2026) new work commissioned by the American Composers Orchestra
wind ensemble
In Between (2024, 8 min.)
TBA (2025-2026) new work commissioned by the Metropolitan Wind Symphony
chamber
On foot (2024, 10 min.) for soprano, violin, and percussion
I cross (2024, 10 min.) for soprano, bass clarinet, and percussion
Chamber Play (2024, 10 min.) for English horn, e-flat clarinet, bassoon, French horn, two percussionists, harp, piano, violin, viola, and cello
In Prayer (2023, 10 min.) for singer and violist playing auxiliary instruments
Stitches (2022-23, 7 min.) for two violins, viola, and cello
Snow Fractals (2021-2022, 7 min.) for flute, clarinet, violin, and cello
Snow Figments (2021, 9 min.) for string quartet
Snow Fragments (2020-2021, 8 min.) for flute, bass clarinet, violin, cello, and piano
Eikhah (2019, 12 min.) for two sopranos, spoken choir, and quintet
City Slowly Burning (2018, 10 min.) for violin and piano
Tree Giant (2016, 8 min.) for flute/picc, clarinet/bcl, violin, cello, piano, percussion
Operating Room (2016, 7 min.) for mezzo-soprano, alto saxophone, and percussion
Springbokkie (2015, 8 min.) for flute, oboe, clarinet, horn, bassoon, and double bass
bent (2014, 6 min.) for violin, cello, and piano
Once I Saw (2014, 6 min.) for flute, clarinet, violin, cello, and piano
vocal
On foot (2024, 10 min.) for soprano, violin, and percussion
I cross (2024, 10 min.) for soprano, bass clarinet, and percussion
Scene from "Macbeth" (2023, 8 min.) for mezzo, tenor, and piano
In Prayer (2023, 10 min.) for singer and violist playing auxiliary instruments (orig. alto)
Fear No More (2021, 5 min.) for singer and piano (orig. tenor)
The Ornithologia (Or The Phenomenal Unfettering Of One Philomela) (2019, 15 min.) for voice and double bass (orig. soprano)
Like That Time (2017, 6 min.) for voice and piano (orig. mezzo)
I I'm You (2016, 8 min.) for solo mezzo-soprano
Operating Room (2016, 7 min.) for voice, alto saxophone, and percussion (orig. mezzo)
Fiumana (2016, 6 min.) for mezzo-soprano playing bass drum
Three Shakespearean Monologues for Three Shakespearean Women (2015, 14 min.) for mezzo-soprano and piano
solo
Case in point (2024, 5 min.) for flute
Videogame Vespers (2022, 6 min.) for violin & tape
Hand Bones (2021, 12 min.) for harpsichord and electronics
This is the one with the videogame violence (2021, 5 min.) for violin, live-electronics & live-video
Swallow with water (2020, 4 min.) for violin
Swedish Twister (2019, 3 min.) for tuba
Phryjig (2018, 5 min.) for guitar
I'll Teach You To Levitate (2017, 7 min.) for cello
Beautiful Dead Insect (2015, 6 min.) for clarinet in B-flat
TBA (2024, 7 min.) for percussion (vibraphone, glockenspiel, and two cymbals)
TBA (2024, 5 min.) for horn
collaborative
Summertime is for Sandcastles (2020)
original score, film directed by Harris Gurny
Mustache (2019)
original score, film directed by Harris Gurny
Taking Warsan Shire Out of Context on the Eve of the Great Storm (2018)
incidental music, play by Christopher Gabriel Nuñéz
La Tristesse de Saint Louise (2018)
incidental music, production by Johnny Moreno
Operating Room (2016/18)
choreography by Mary Gwin
Toothbursh Song (2016)
co-composed with Destini Powell
Galileo's Tears (2016)
segment, Untitled No. 3, choreography by Celeste Miller
Nature; Caution (2013)
original score, film directed by Ana Koyveka
Wait Until Dark (2013)
incidental music, play by Frederick Knott
Chamber Play (2024, 10 min.) for English horn, e-flat clarinet, bassoon, French horn, two percussionists, harp, piano, violin, viola, and cello
Ten remarks on a city (2022-23, 10 min.) for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; hp; pno - str)
In Between (2018, 8 min.) for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; hp; pno - str)
Passacaglia (2017, open duration) for jazz ensemble
I Must Be Sure (2016, 7 min.) for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; pno - str)
TBA (2025-2026) new work commissioned by the American Composers Orchestra
wind ensemble
In Between (2024, 8 min.)
TBA (2025-2026) new work commissioned by the Metropolitan Wind Symphony
chamber
On foot (2024, 10 min.) for soprano, violin, and percussion
I cross (2024, 10 min.) for soprano, bass clarinet, and percussion
Chamber Play (2024, 10 min.) for English horn, e-flat clarinet, bassoon, French horn, two percussionists, harp, piano, violin, viola, and cello
In Prayer (2023, 10 min.) for singer and violist playing auxiliary instruments
Stitches (2022-23, 7 min.) for two violins, viola, and cello
Snow Fractals (2021-2022, 7 min.) for flute, clarinet, violin, and cello
Snow Figments (2021, 9 min.) for string quartet
Snow Fragments (2020-2021, 8 min.) for flute, bass clarinet, violin, cello, and piano
Eikhah (2019, 12 min.) for two sopranos, spoken choir, and quintet
City Slowly Burning (2018, 10 min.) for violin and piano
Tree Giant (2016, 8 min.) for flute/picc, clarinet/bcl, violin, cello, piano, percussion
Operating Room (2016, 7 min.) for mezzo-soprano, alto saxophone, and percussion
Springbokkie (2015, 8 min.) for flute, oboe, clarinet, horn, bassoon, and double bass
bent (2014, 6 min.) for violin, cello, and piano
Once I Saw (2014, 6 min.) for flute, clarinet, violin, cello, and piano
vocal
On foot (2024, 10 min.) for soprano, violin, and percussion
I cross (2024, 10 min.) for soprano, bass clarinet, and percussion
Scene from "Macbeth" (2023, 8 min.) for mezzo, tenor, and piano
In Prayer (2023, 10 min.) for singer and violist playing auxiliary instruments (orig. alto)
Fear No More (2021, 5 min.) for singer and piano (orig. tenor)
The Ornithologia (Or The Phenomenal Unfettering Of One Philomela) (2019, 15 min.) for voice and double bass (orig. soprano)
Like That Time (2017, 6 min.) for voice and piano (orig. mezzo)
I I'm You (2016, 8 min.) for solo mezzo-soprano
Operating Room (2016, 7 min.) for voice, alto saxophone, and percussion (orig. mezzo)
Fiumana (2016, 6 min.) for mezzo-soprano playing bass drum
Three Shakespearean Monologues for Three Shakespearean Women (2015, 14 min.) for mezzo-soprano and piano
solo
Case in point (2024, 5 min.) for flute
Videogame Vespers (2022, 6 min.) for violin & tape
Hand Bones (2021, 12 min.) for harpsichord and electronics
This is the one with the videogame violence (2021, 5 min.) for violin, live-electronics & live-video
Swallow with water (2020, 4 min.) for violin
Swedish Twister (2019, 3 min.) for tuba
Phryjig (2018, 5 min.) for guitar
I'll Teach You To Levitate (2017, 7 min.) for cello
Beautiful Dead Insect (2015, 6 min.) for clarinet in B-flat
TBA (2024, 7 min.) for percussion (vibraphone, glockenspiel, and two cymbals)
TBA (2024, 5 min.) for horn
collaborative
Summertime is for Sandcastles (2020)
original score, film directed by Harris Gurny
Mustache (2019)
original score, film directed by Harris Gurny
Taking Warsan Shire Out of Context on the Eve of the Great Storm (2018)
incidental music, play by Christopher Gabriel Nuñéz
La Tristesse de Saint Louise (2018)
incidental music, production by Johnny Moreno
Operating Room (2016/18)
choreography by Mary Gwin
Toothbursh Song (2016)
co-composed with Destini Powell
Galileo's Tears (2016)
segment, Untitled No. 3, choreography by Celeste Miller
Nature; Caution (2013)
original score, film directed by Ana Koyveka
Wait Until Dark (2013)
incidental music, play by Frederick Knott