orchestra & large ensemble
O Jerusalem (2020-2021, 3 min.)
for vocal quintet and wind ensemble
In Between (2018, 8 min.)
for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; hp; pno - str)
Passacaglia (2017, open duration)
for jazz ensemble
I Must Be Sure (2016, 7 min.)
for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; pno - str)
TBA (2021-2022)
new work commissioned by the Aspen Music Festival & School
TBA (2022-2023)
new work commissioned by the American Composers Orchestra
chamber
Snow Fractals (2021-2022, 7 min.)
for flute, clarinet, violin, and cello
Snow Figments (2021, 9 min.)
for string quartet
Snow Fragments (2020-2021, 8 min.)
for flute, bass clarinet, violin, cello, and piano
Miriam, I Am (I Am) (2020, 10 min.)
for percussion duo
Eikhah (2019, 12 min.)
for two sopranos, spoken choir, and quintet
City Slowly Burning (2018, 10 min.)
for violin and piano
Tree Giant (2016, 8 min.)
for fl/picc, cl/b cl, vl, vc, pno, perc
Operating Room (2016, 7 min.)
for mezzo-soprano, alto saxophone, and percussion
Springbokkie (2015, 8 min.)
for flute, oboe, clarinet, horn, bassoon, and double bass
bent (2014, 6 min.)
for violin, cello, and piano
Once I Saw (2014, 6 min.)
for flute, clarinet, violin, cello, and piano
vocal
O Jerusalem (2020-2021, 3 min.)
for vocal quintet and wind ensemble
The Ornithologia (Or The Phenomenal Unfettering Of One Philomela) (2019, 15 min.)
for soprano and double bass
Like That Time (2017, 6 min.)
for mezzo-soprano and piano
I I'm You (2016, 8 min.)
for solo mezzo-soprano
Operating Room (2016, 7 min.)
for mezzo-soprano, alto saxophone, and percussion
Fiumana (2016, 6 min.)
for mezzo-soprano playing bass drum
Three Shakespearean Monologues for Three Shakespearean Women (2015, 14 min.)
for mezzo-soprano and piano
solo
Hand Bones (2021, 12 min.)
for harpsichord and electronics
This is the one with the videogame violence (2021, 5 min.)
for violin and live-electronics & video
Swallow with water (2020, 4 min.)
for violin
7 Gates (2020, 7 min.)
for double bass
Swedish Twister (2019, 3 min.)
for tuba
Phryjig (2018, 5 min.)
for guitar
I'll Teach You To Levitate (2017, 7 min.)
for cello
Beautiful Dead Insect (2015, 6 min.)
for clarinet in B-flat
collaborative
Summertime is for Sandcastles (2020)
original score, film directed by Harris Gurney
Mustache (2019)
original score, film directed by Harris Gurney
Taking Warsan Shire Out of Context on the Eve of the Great Storm (2018)
incidental music, play by Christopher Gabriel Nuñéz
La Tristesse de Saint Louise (2018)
incidental music, production by Johnny Moreno
Operating Room (2016/18)
choreography by Mary Gwin
Toothbursh Song (2016)
co-composed with Destini Powell
Galileo's Tears (2016)
segment, Untitled No. 3, choreography by Celeste Miller
Nature; Caution (2013)
original score, film directed by Ana Koyveka
Wait Until Dark (2013)
incidental music, play by Frederick Knott
O Jerusalem (2020-2021, 3 min.)
for vocal quintet and wind ensemble
In Between (2018, 8 min.)
for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; hp; pno - str)
Passacaglia (2017, open duration)
for jazz ensemble
I Must Be Sure (2016, 7 min.)
for orchestra (2.2.2.2 - 4.3.3.1 - timp; 3 perc; pno - str)
TBA (2021-2022)
new work commissioned by the Aspen Music Festival & School
TBA (2022-2023)
new work commissioned by the American Composers Orchestra
chamber
Snow Fractals (2021-2022, 7 min.)
for flute, clarinet, violin, and cello
Snow Figments (2021, 9 min.)
for string quartet
Snow Fragments (2020-2021, 8 min.)
for flute, bass clarinet, violin, cello, and piano
Miriam, I Am (I Am) (2020, 10 min.)
for percussion duo
Eikhah (2019, 12 min.)
for two sopranos, spoken choir, and quintet
City Slowly Burning (2018, 10 min.)
for violin and piano
Tree Giant (2016, 8 min.)
for fl/picc, cl/b cl, vl, vc, pno, perc
Operating Room (2016, 7 min.)
for mezzo-soprano, alto saxophone, and percussion
Springbokkie (2015, 8 min.)
for flute, oboe, clarinet, horn, bassoon, and double bass
bent (2014, 6 min.)
for violin, cello, and piano
Once I Saw (2014, 6 min.)
for flute, clarinet, violin, cello, and piano
vocal
O Jerusalem (2020-2021, 3 min.)
for vocal quintet and wind ensemble
The Ornithologia (Or The Phenomenal Unfettering Of One Philomela) (2019, 15 min.)
for soprano and double bass
Like That Time (2017, 6 min.)
for mezzo-soprano and piano
I I'm You (2016, 8 min.)
for solo mezzo-soprano
Operating Room (2016, 7 min.)
for mezzo-soprano, alto saxophone, and percussion
Fiumana (2016, 6 min.)
for mezzo-soprano playing bass drum
Three Shakespearean Monologues for Three Shakespearean Women (2015, 14 min.)
for mezzo-soprano and piano
solo
Hand Bones (2021, 12 min.)
for harpsichord and electronics
This is the one with the videogame violence (2021, 5 min.)
for violin and live-electronics & video
Swallow with water (2020, 4 min.)
for violin
7 Gates (2020, 7 min.)
for double bass
Swedish Twister (2019, 3 min.)
for tuba
Phryjig (2018, 5 min.)
for guitar
I'll Teach You To Levitate (2017, 7 min.)
for cello
Beautiful Dead Insect (2015, 6 min.)
for clarinet in B-flat
collaborative
Summertime is for Sandcastles (2020)
original score, film directed by Harris Gurney
Mustache (2019)
original score, film directed by Harris Gurney
Taking Warsan Shire Out of Context on the Eve of the Great Storm (2018)
incidental music, play by Christopher Gabriel Nuñéz
La Tristesse de Saint Louise (2018)
incidental music, production by Johnny Moreno
Operating Room (2016/18)
choreography by Mary Gwin
Toothbursh Song (2016)
co-composed with Destini Powell
Galileo's Tears (2016)
segment, Untitled No. 3, choreography by Celeste Miller
Nature; Caution (2013)
original score, film directed by Ana Koyveka
Wait Until Dark (2013)
incidental music, play by Frederick Knott